The Universe
I love a lot of the things found on Lesly Kahn’s blog. This is just one of the many juicy tidbits…
With self-confidence, the world bows to greet you and coincidence becomes your partner. And self-confidence comes from loving yourself. And loving yourself comes from knowing that you are, still, exactly who I most want to be. And so I am.
- The Universe
It’s A Numbers Game
I went to a fabulous CD Workshop with one of my favorite CD’s recently, who re-affirmed the comment that acting is “a numbers game”. Yes, the entertainment industry is a numbers game, just like every industry out there. In the actors’ case, the more we audition, chances are good we will book more.
But, we have to be strategic with this to be effective, which means we have to have a strong foundation – a sound business plan, have a focus, be strategic and tactical (Dallas Travers calls it having a “laser beam focus – being targeted with our marketing) combined with a healthy pursuit of our craft (classes and practice). Otherwise, we are just spinning our wheels.
Being strategic and doing the hustle will get you from point A to point B much faster than being without direction.
Changing Paradigms
Attached are some great articles about the Drama show runners and the Comedy show runners courtesy of THR.
It’s interesting to point out that I had read another interview by a TV Executive Producer who indicated that, sometimes, casting is being taken out of the casting director’s, and to an extent, the Producer’s, hands so that even early-stage decision making is falling on the hands of the networks. Ultimately, the network does make the final decision on TV (or big-budget film) casting but at the early stages?
So, if this is in fact occurring should actors market and make themselves known to casting directors, producers and even studio executives?
This change is interesting in light of a recent Twitter discussion that occurred last week: some actors, agents and casting directors said that calling producers and agents was “dangerous”. I don’t know about being dangerous – I think walking alone in South Central LA might be considered “dangerous”, but calling a producer?!
The sub-text of the comment I later found out was more of concern if the actor called a producer in hope of being hired, it would send a message of that actor being desperate and most definitely, being unprofessional. Also, if the actor did call the producer, what would the actor bring to the table to motivate the producer to speak with the actor? And, what if the actor wasn’t ready to be seen or have a conversation with the producer?
These all are very valid points.
Ultimately, we as actors have this fear of somehow being “blacklisted” as a result of actions we might take that don’t conform to the norm. The entertainment industry is just like any other industry, it is not some secret society. We make phone calls to follow-up on meetings, written communications that we send, and the like. However, developing relationships does take consistency (on the follow-up and follow-through), focus and professionalism to be effective.
But, what if the actor wants to develop a relationship with a producer and while they want to work with the producer in the future, they really just want to start developing a relationship with the producer?
My feeling is a lot of things have to occur prior to the phone call stage. But you shouldn’t fear putting telephone calling in your marketing arsenal.
Consider these points prior to any contact – be it verbal or written…
1. The actor needs to develop a marketing plan so they are focused on their career. Do you want to focus on TV, film, stage, voice-over, commercial, etc.?
2. The actor needs to come up with a target list of TV shows and those individuals handling them. Are you interested in drama? If so is that procedural, drama, dramedy, etc.? Are you interested in comedy? If so, is that single-camera or multi-camera? What is your type? What shows frequently and consistently cast your type? Which casting directors and/or casting associates should you contact? Which producer(s) should you contact? How should you contact these people?
3. The actor must be professional in their communications. Be pleasant and gratuitous in your meetings with CDs and when you attend CD workshops. Send a thank-you note after meetings with CDs. Send letters to producers (don’t send your headshot and resume, wait for them to ask you for it) addressing who you are, why you are contacting them and what you want. Be clear in your communications. Again, I suggest ONLY contacting producers to develop relationships.
4. Be consistent. Contact individuals at a frequency that you can commit to – that might be monthly, bi-monthly or quarterly for you. Only you can determine what is right for you.
5. Follow-up and Follow-Through. Commit and communicate on a regular basis (what you determined in #4). A telephone call could be a great follow-up to a letter you send.
My point is that any communication (self-submissions, post-cards, phone calls, etc.) is worth doing if you do it with focus and clarity.
Don’t be afraid. Step out of your comfort zone.
Oh, and for the record, I have made some great connections via the telephone with producers and agents.
I want to know your thoughts. What do you think?
Cheers.
Great Advice
Today was a day of some great advice.
What’s the role of the guest star on episodic television? Elizabeth Banks considers the etiquette of a guest star to be “You’re a guest in someone else’s house and you have to act that way. I treat it as (if) I’m visiting someone’s house for the weekend — make the bed before you leave, be nice to everybody and know your place.” Kristin Chenoweth, Gary Cole and Elizabeth Banks all chime in on the role of the guest star in this amazing article from The Hollywood Reporter.
I already posted the Emmy roundtable of drama actresses and here’s the roundtable of the comedy actresses, courtesy of THR.
Great advice, indeed.
If At First You Don’t Succeed…
Great article at The Wrap about 8 actors who have been in several failed shows but keep getting called back and keep coming back. Persistence and Resilience pays off.
Susyn’s Latest Updates
I just completed a photo shoot with the always amazing Dana Patrick. Rachel Stolte, makeup artiste extraordinaire, once again did my makeup. Look for the new head shots to appear on the website soon.
In July, I will be traveling East for some R n R combined with some business as I will have media interviews in Pittsburgh and Ohio. I will be posting those soon as well.
Susyn’s Photo From Caleb’s Hope “Real Men Don’t Rape” Campaign Photo Shoot
I had a great time at the recent “Real Men Don’t Rape” Photo Shoot for Caleb’s Hope in Los Angeles recently. Here’s my pic from the photo shoot. Enjoy!
RIP John Wooden
The great UCLA Head Basketball coach, John Wooden, died on Friday, June 4, 2010. He was 99 years old. I leave you with this quote that really tells you all you need to know about this class act:
“Talent is God given. Be humble. Fame is man-given. Be grateful. Conceit is self-given. Be careful.“
RIP, Coach.
Apple
My favorite brands are: Apple, BMW, Coca Cola, Nordstrom, Shell.
Why? They stand out.
Why? They under-promise and over-deliver.
Here’s a great article from Open Forum about how we can be the Apple Computer of our industry.
RIP Dennis Hopper
Dennis Hopper died over the weekend. I loved him. Easy Rider. Hoosiers (in which he got an Oscar nomination for Best Supporting Actor). Flashback. And many, many others. He was amazing and mesmerizing. Here’s a scene from Flashback, one of my favorite films.